My work explores raw and mineral materials drawn from urban and natural environments.

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Through casting, imprinting, and assemblage, I examine the transformation of landscapes and the gradual disappearance of living things under the impact of human activity.

At the intersection of plant and architectural heritage, my practice brings together sculpture, drawing, painting, photography, and performance.

My works evoke territories in transition, where nature and architecture coexist in a fragile balance.

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As a dystopian vision of the modern world, I seek to make visible what is disappearing and to question the challenges of transmission and resilience in our time.