Man has always left a signature, immortalizing his existence.
The trace, the imprint, testify to the existence of a people and its immortality within the four elements. Memory of all human activity, it becomes the residue of a forgotten life.
Nowadays, the duality of town planning and nature, from concrete to vegetation contradict each other in their evolution and at the same time compete in beauty.
It was the fusion of these elements that made me think of combinations structural, to show their respective evolution in a perspective artistic.
It is from this reflection that my desire to unify these paradoxes by the effect of an expression not only pictorial but also sculptural.
With the drawing where, like Max Ernst in his work "La Forêt", I come scrape the leaf to record traces, bark prints or well again with painting, where I offer an interpretation of the elements natural.
Through photography, where nature and urban demolitions come together and become the demonstration of a possible agreement, to enter into resonate with our own reality, and thus be able to witness these urban changes.
And through sculpture, where the imprint takes on its full meaning. I use the molding technique to be in the (re) production of textures, natural shapes and thus be able to play with materials urban.
As an artist, I bring these thoughts to life with the use of materials extracted from the earth or from the urban environment.
And as a tribute to natural gigantism and its beauty, it is to make the infinitely small, infinitely large
photographies, dessins, sculptures